A good church pianist has spent much time figuring out and perfecting possible runs. How can I make my playing more interesting. The 100 left hand patterns introduced in this book can help piano students, piano teachers, and music professionals take their piano playing to the next level by learning how to play the same song 100 different ways. Either the teacher or the student has moved away, or perhaps the teacher has passed away. This might sound counter-intuitive to what you think, since most of my students ask me WHICH notes to play. The main scales of western music are major and minor scales. Whatever the case, the student desires to learn more, but they have no resource to aid them in their journey. So when we’d use this simple chord progression in F, And play all those eights, it could sound like this (as an added bonus exercise, I highly recommend playing the eighths grid on an alternative beat or song of your choosing) They became good at those few runs, and are satisfied to use them from now on. I think we can all agree that playing chords – providing the bed of harmony – along with the changes of a song, already sounds quite cool and full, especially when one has grasped the concept of coloring with extensions and is proficient with the basics of patterns to add some groove to his/her playing – how those chords are played. Next let’s strip it down to quarters with the left hand, while the right keeps playing those eights. “But wait,” you say, “I thought improvisation was spur-of-the-moment!” In one sense, you are correct. Just as you can’t build a ten-story building on a foundation meant for three stories, you can’t progress as a piano … Took me a few years to realise this – you might want to fill it up more once you’re comfortably grooving with fewer notes. Fill-ins are played with a softer touch then the melody. In some cases, the teacher simply does not know how to teach them anything else. See where we’re getting at? Perhaps there is no teacher in their area. It is a base to make music. Runs and fills are made up of two elements: Notes and Rhythm. Improvisation is unwritten and flexible, but that does not mean that the pianist has no idea what he is going to play. Whether you are just starting with keyboard or you have been playing for a while, the diligence to focus on your foundation will pay off. Workshops that follow include a video demonstration of piano fill concepts being used in an actual playing situation. Perhaps they learned the basics of hymn playing, and picked up a run or two, but that is all. A handout (.pdf) with the images used in this tutorial; Two MIDI files. One hand runs, two hand runs, open-octave runs, tremolo-blasted runs, cascading waterfall runs and more. The 100 left hand patterns introduced in this book can help piano students, piano teachers, and music professionals take their piano playing to the next level by learning how to play the same song 100 different ways. Unfortunately, if you listen to them play fifty songs in a row, they all sound the same! Jazz Piano Lessons Step-by-step lessons to master jazz theory; Blues Piano Lessons Learn the blues, jazz blues, funk, & gospel; Brazilian Piano Lessons Study bossa nova, samba, & choro styles; Subscribe now; Resources. What do I play in between those chords. Fill-ins are always meant to be softer than the melody to avoid distraction of the message. Might very well not be the angle you’d expect to tackle it from! The first step in doing this is just dead simple (however, don’t be the fool that underestimates the power of simplicity): use note(s) from the chords you are playing. This is their improvisation. Choose an extension – preferably for this moment choose one that fits in the key – on each chord, Other options include pentatonic scales, blues scales, the key of the song, re-harmonization and, All of the things as per discussed above in a practical and hands-on way, How to break down rhythm to options for accents to play on, How playing specific accents, whilst leaving others open results in the first step to musical alternation – improvisation, Extending this idea to even more exciting, piano improvisations, A few more exemplifications of options to choose notes from. A handout (.pdf) with the images used in this tutorial; Two MIDI files. These pianists will never learn anything new, for they are content with what limited knowledge and ability they possess. This book had to be written: without it, her passing would have deprived this world of a priceless art. Begin today! ORDER HERE. (to fill it up, you could play full chords with left, or, if that’s too tricky, just keep playing the roots). LEARN MORE, A FREE workshop on how to play piano without sheets. They are taking a run with which they are familiar and adapting it to the key and rhythm requirements for that particular song. Have fun and let me know how you’re doing -and if- what you’re struggling with! If you could use some instruction and help in developing your piano chords and/or melodies, Fluent Piano can help! A person’s style of playing is described by the techniques he uses most frequently. After attending for just a short time, I did not have to look towards the piano to know who was playing a particular offertory, or who was substituting for the congregational singing. The final section puts this information together into numerous examples for you to study and develop for your own use. It may be surprising for you to learn that almost all runs and fills that a pianist plays are determined ahead of time. Fills, Licks & Riffs – Improvisation Fundamentals | Concept Lesson, James Arthur – Say You Won’t Let Go | Song Tutorial, MIDI – A Comprehensive Guide | Part 1 – MIDI for Learning, https://coenmodder.com/wp-content/uploads/2017/02/FillsLicksRiffs8ths.m4a, https://coenmodder.com/wp-content/uploads/2017/02/FillsLicksRiffs8thsandquarters.m4a, https://coenmodder.com/wp-content/uploads/2017/02/Onenotesolo.m4a, https://coenmodder.com/wp-content/uploads/2017/02/Onenotesolo2.m4a. However, I think most of you will also agree that it is what is played in between them – the alternations in our piano playing – that separates the players from the fiddlers. Runs and fills are made up of two elements: Notes and Rhythm. For generations, scales, chords, and arpeggios have been an essential element of keyboard study. Fluent Piano. Please do not be in this group! She performed that incredible Second Piano Concerto by Saint Saens with the composer conducting. Now, if we’d add the 16ths to our options, strip down the right hand to the before mentioned note “c” and we’d start playing SOME of those accents (eights and sixteenths), but leaving others open, we could get to something like this. our Gaps as a Piano Player Congratulations! So to deconstruct this, that’s our foundation – what we should focus on first. The next time you play or sing a solo….just remember to interpret the music just as though you were ‘speaking’ the words. But here’s the thing: it’s so super important to realise that this is just expanding upon this very idea.